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Early Harps
Here are photos and brief descriptions of
some of the types of harp that have been prominent in musical history.
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Gothic
style Renaissance Harp
These
small harps were the standard harp throughout Europe in the late Middle
Ages and the Renaissance period in music history. They were strung with
gut strings at a much lower tension than we are accustomed to
today. Earlier models had 19 to 22 strings, later harps were larger and
had 26 to 30 strings. They were tuned diatonically, half steps
usually accomplished by pressing the string against the neck near the top. Current scholarship tells us that these harps almost
always employed brays, small L shaped pegs that touch the string
very lightly near the soundboard. The effect is a nasal rattling sound
similar to a crumhorn or regal organ. The soundbox was generally
hollowed from a plank of hardwood, giving the harp a distinctive
plucked sound that differed from the lute, an instrument it often
played with in consort.
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Italian
Arpa Doppia
This
three-rank Italian harp of the late Renaissance or early Baroque
period had 26 chromatic strings in the central row, with 24 trebles on
the right, and 25 basses on the left. This gives a two octave diatonic
duplication in the middle range of the harp. The center row of strings
supplies all of the half steps, including the enharmonic notes. The
range descends to GG (one and a half octaves below middle C). The
soundbox is
built up of hardwood staves, and the soundboard is maple, as were all
but the latest examples.
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Early
Spanish Harps
The
Spanish single rank and cross-strung harps generally had 29 diatonic
strings, lowest note C, two octaves below middle C. The chromatic
strings intersected, or went between, the diatonic strings,
forming an X. In this way, all chromatic and diatonic strings were
accessible to both hands at any point on the harp. The soundboard is
very guitar-like, spruce with cross bracing, producing a
marvelous sound.
The
single rank harp could be fretted against the neck for half steps.
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Wire
strung harps
Many would say that
the ancient Irish harps are the predecessors of our current lever
harps in spirit, if not in technical features. These instruments were
wire strung (brass, iron, silver, or gold) often with the soundboxes
carved from a single piece of willow (bog wood).
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Italian
Double-Row Harp
This
harp is housed in the Musee` Instrumental du
Conservatoire, Royal de Musique, Brussels, Belgium.
It has a carved soundboard of maple and a five-staved back made
of walnut with 52 chromatic notes, ranging from C to c''', all
gut strings and without brays. This harp has been
well studied and there is some controversy about its having been a
triple row harp. It stands 156 cm tall.
This
harp is attributed to Martino Kaiser, Venice, 1675.
One of the few extant harps with a label.
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Wartburg Single-Row
Harp
(circa 1350-1450)
This instrument was acquired during the middle of the 19th century for
the art collection of the Wartburg Museum, Eisenach, Germany. It
purportedly belonged to Oswald von Wolkenstein, who lived in Tyrol from
1377-1445. The original is beautifully inlayed with
Certosinia-work. Some believe the inlay was added after the harp was
built. It has 26 gut strings from F to c''', and a full set of
brays. It is a 'carved-body' type and made of maple. It
stands at 109 cm high.
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