| YEAR & LOCATION |
CONFERENCE SPEAKER |
TOPIC |
| 1984 - Amherst MA |
|
Carved Body and Double Harps in European Museums (exhibit) |
|
Planchart, Alejandro |
Juan Bermudo's Commentaries on the Harp |
|
Reit, Susan |
Thumb Under Technique Applied to the Harp |
|
Brown, David |
Constructional Aspects of Carved Bodied Harps |
|
Kadar, Judit; moderator |
Discussion of Chromatics and Tunings |
|
Reit, Susan |
Arpa Doppia: A Brief Introduction |
|
Habermehl, Anne |
Use of the Harp in Welsh Music |
|
Fulton, Cheryl |
Triple Harp Technique for Beginners (workshop) |
| 1985 - Amherst MA |
Fulton, Cheryl |
Introduction to the Harp in Early Music |
|
John, Patricia |
Early Harp in Art |
|
Reit, Susan |
The "Thumb Under" Technique as Seen in Early Art |
|
Brown, David |
Stromgomg as Re;atod tp Jar[ |
|
Hutchinson, John/Lewandowski, L |
Iberian Cross-Strung Double Harp |
|
Galassi, Mara |
Fingering and Technique in Double Harp |
|
Rosenzweig |
Fifteenth Century Harp |
|
Kirk, Douglas, moderator |
Use of Harp as Continuo Instrument (panel) |
|
Kadar, Judit |
Roots of Classical Harp Music in Germany, a Living Tradition |
|
Fulton, Cheryl |
Brief Introduction to the Triple Harp |
| 1986 - Amherst MA |
Taylor, Bill |
The Ancient Harps (slide presentation) |
|
Brown, David |
Several Aspects of Harp Stringing |
|
Fulton, Cheryl |
Music from the Faenza Cpdex |
|
Chaplan, Rose |
Technique and Repertory of the Bray-Pin Harp |
|
Heymann, Ann & Charlie |
Another Look at the Clairseach: History, Mythology, Performance Practice |
|
Brown, Fay, Lewandowski,
Witcher |
Harpmakers' Panel on Research, Problems, Solutions |
|
Heymann, Ann |
Introduction to Wire-Strung Harp Technique (workshop) |
| 1987 - Amherst MA |
Makubuya, James |
The Adungo; Ugandan Harp Tuning and Construction |
|
Simonson, Linda |
The Kora, Bridge Harp of the West African Historian/Poet/Musician |
|
Simonson, Linda |
The Buddhist Symbolism of the Burmese Arched Harp |
|
Taylor, W/Scherer, D |
Possibilities for Harp and Lute Duet |
|
Bagby, Benjamin |
Conceptualizing the 12th Century Medieval Harp |
|
d'Arcizas, Yves |
Practical Considerations in the Construction of Late Medieval Harps |
|
Lang-May, Gabriele |
Irish Music of the Itinerant Harpers |
|
Burghart, Kathy |
Historical Perspectives of the Harp in Southern Europe & the British
Isles |
|
Thym-Hochrein, Nancy |
The Norwegian Harp; Its Lore, History and Construction |
|
Kadar, Judit |
Performing 14th and 15th Century Music on the Harp |
|
Lawrence-King, Andrew |
The Harp in Continuo Playing in the Early Italian Operas |
| 1988 - Amherst MA |
Thym-Hochrein, Nancy |
The German Wandering Street Harpers of the 18th and 19th Centuries |
|
Galassi, Mara |
Applications for Continuo Playing of the Scordatura Tunings
in the Huete Manuscript of
1702, 1704
|
|
Cook, Ron |
Some Uses of the Harp in Accompanying Medieval Song |
|
Fulton, Cheryl |
An Introduction to Medieval Improvisation (workshop) |
|
Mayer-Brown, Howard |
Future Directions for Harp Research |
|
|
Historical Harp Registry and Iconography Projects (report) |
|
Simonson, Linda |
Harp and Chanson at the Courts of the Valois Dukes of Burgundy
(1363-1477) |
|
Fay, Arsalaan |
Brown & Buckwell: 19th Century Harpbuilding Tradition in New York
City |
|
Brown, David |
Elements of Stringing for Early Harp (worikshop) |
|
Kouyate, Djimo |
Playing and Tuning Techniques on the Kora, Bridge Harp of the Griot |
|
Makubuya, James |
Performance Practice Techniques of the Adungu - Ugandan Harp
(a workshop) |
|
Lawrence-King, Andrew |
Macque's Book: Music for Harp |
| 1989 - Amherst MA |
Stork, Diana/Fulton, Cheryl |
An Introduction to Venezuelah Harp (demonstration/workshop) |
|
Galassi, Mara |
Summary of Sources & References for Historical Harp Technique |
|
Thym-Hochrein, Nancy |
Mozart, Goethe, and the German Hook Harp of the 18th Century |
|
Thym-Hochrein, Nancy |
A Laendler (workshop) |
|
Bermudez, Egberto |
The Diatonic Harp in Colombia |
|
Witcher, Jay |
How Do Harps Work? |
|
Heymann, Ann |
The Harp and Gaelic Cosmology |
|
Brown, David |
Development of Italian Harp Construction |
|
Makubuya. James |
Rhythmic & Melodic Improvisation on the Adungu, Ugandan Harp |
|
Mackenzie, Sasha |
Story of the Welsh Triple Harp |
| 1990 - Amherst MA |
Bermudez. Egberto |
Intro to History of Non-Pedal Harp |
|
Heymann, Ann & Charlie |
An Irish Harper at the English Court; Cormack McDermott |
|
Kadar. Judit |
Introduction to 15th Century Improvisation (workshop) |
|
Brown, David |
The Este Harp |
|
Galassi, Mara |
The Triple Harp in Rome in the First Half of the 17th Century |
|
Fulton, Cheryl |
Musical Relicks of the Welsh Bards; The Triple Harp of Wales |
|
Witcher, Jay |
How Do Harps Work? |
|
Sayre, Jennifer |
Harp in Spanish Music in the Age of Discovery (1492-1650) |
|
Evans, Robert |
Varieties of Harps in Medieval Wales |
|
Bermudez, Egberto |
The Ecuadorian Wire Srung Harp |
|
Simonson, Linda |
Mandingfoli: Transmission of Two Griot Songs for Kora -
(West African
Harp) |
| 1991 - Amherst MA |
Polonska, Elena |
History of the Historical Harp Movement |
|
Bermudez, Egberto |
The Harp in 15th Century Spain |
|
Galassi, Mara |
Ornamentation and Fingering in French Harp Music from the Late 18th
C. |
|
Evans, Robert |
Ap Huw's 24 Measures: A Composirional Method |
|
|
Playing Session: Renaissance Dance Tunes |
|
Woolsey, Crystal |
History of the Multi-Row Harp in Europe |
|
Bermudez, Egberto, moderator |
Harp Makers' Panel (Evnas, Fay, Brown, Lewandowski, Witcher) |
|
Thym-Hochrein, Nancy |
French Harp Lays in the Scottish Ballads |
| 1992 - Berkeley CA |
Kilmer, Anne |
Ancient Mesopotamian Harps & Harp Tunings 3rd-1st Millenia BC |
|
Simonson, Linda |
King
David's "Harp:" Transformations of the Musical Instrument
of Ancient Israel's
Warrior/Poet/King
|
|
Wheeler, John |
Chironomy and Ancient Middle Eastern Harpers |
|
Makubuya, James |
The Role of Traditional Harps in Ugandan Societies |
|
Thym-Hochrein, Nancy |
Magic Mushrooms and the Siberian Harp |
|
DeVale, Due Carole |
Harps and Harpists in Medieval Persia |
|
van Deusen, Nancy |
The Harp and the Soul: Plato's Harp and its Trecento Infludnce |
|
Kadar, Judit |
Fifteenth Century Improvisational Styles Appropriate for the Harp |
|
Pearo, Charles |
Report on the Historical Harp Survey |
|
Brown, David |
Development of Italian Harp Construction |
|
Zaerr, Laura |
The One Hundreth Anniversary of the Chaillot Single-Action Pedal Harp |
|
Taylor, William |
Early Scottish Clarsach Music: Sources for Repertoire & Technique |
|
Witcher, Jay |
Historical Harps from the Time of the Belfast Festival or 1792 |
|
Heymann, Ann |
The Belfast Festival of 1792 |
|
Bermudez, Egberto |
Introduction to Iberian & Latin American Historical Harps |
|
Russell, Craig |
The Harp in Colonial Mexico:
Retrieving Lost Traditions & Hidden
Repertoire |
|
Galassi, Mara |
Folk Harp Traditions in Southern Italy during the 18th and Early 19th
C. |
|
Bunker, Robert |
A New Authentic Paraguayan Harp |
|
Smith, Sandy |
Indigenous Performance Practices and Elements of Musical Composition
Transferred to the Harp
Traditions of Latin America
|
|
Bermudez/Russell/Stevenson |
Panel Discussion on Iberian & Latin American Harp Traditions |
| 1993 - Amherst MA |
Schroeder-Sheker, Therese |
The Harp in the Field of Music-Thanatology |
|
Kinnaird, Alison |
History and Music of the Scottish Harp |
|
Brown, David |
The 17th Century Welsh Triple Harp |
|
Price-Glynn, Cynthia |
A Bried History of the Ballet Harpist |
|
Witcher, Jay |
Technical Aspects of Harps and Harp Construction |
|
Witcher, Jay/Breau, Kasha |
Harps of Schndanavia |
|
Taylor, William |
The Rotte, or Northern European Lyre |
|
Thym-Hochrein, Nancy |
Klingerdilms and Schallern;
Wandering Harp Girls of Pressnitz &
Hundeshagen |
|
Pearo, Charles |
The Historical Harp Survey |
|
Kuronen, Darcy |
Historical Harps in the Museum of Fine Arts in Boston |
| 1994 - Evanston IL |
Cook, Ron |
The Dompe and the Harp |
|
Kadar, Judit |
Conrad Paumann:
What Harpists Can Learn from his
"Fundamentum
Organisandi" and other Didactic Studies
|
|
Sprung, L/Fulton, C |
The Paraguayan Harp Tradition (video) |
|
Campbell, William & Katherine |
Reproduction of an Extant 17C Flemish Harp in the Boston Museum |
|
Heymann, Ann & Charlie |
Lament for Harp - the piobreachd |
|
Witcher, Jay |
An Evaluation of the String Scalings of the Extant Norwegian Harps and
Possible Tunings Thereof for
Different String Materials
|
|
Bermudez, Egberto |
The Rothchild 983 Harp at Vienna; A Spanish 17C "Arpa de dos
Ordenes" |
|
Taylor, William |
An Overview of the at Jus Manuscript |
|
Galassi, Mara |
The Carl Phillipp Emanuel Bach Sonata for Harp |
|
Brown, David |
New Tools for Old Instruments |
|
Pearo, Charles |
Update of Society Survey of Estant Historical Harps |
|
Fulton, Cheryl, moderator |
Panel Discussion on Tunings and Temperaments |
| 1995 - Amherst MA |
Taylor, William |
Harps: Historical, "Celtic,: and "Folk" |
|
De Vale, Sue Carole |
Exploring the Richness and Diversity of the Harp Traditions of Africa |
|
Bermudez, Egberto |
A Reassessment of the Appearance of Double and Triple-rank
Harps in
Europe |
|
Kadar, Judit |
Master Class |
|
Cook, Ron |
Reconstructing a Breton Lai; A Performer's Perspective |
|
Bermudez. Egberto (moderator) |
Panel: Nomenclature for Continental Harps Before 1600
(Kadar, Taylor,
Thym) |
|
Libin, Lawrence |
Harps in the Metropolitan Museum of Art (New York City) |
|
Brown, David |
New Techniques for Studying Old Instruments |
|
Witcher, Jay/Yeats, Grainne |
Reconstructing the Cloyne (Dalway) Harp |
|
Labaree, Robert |
A Modern Performance Version of the Ottoman Harp or Ceng
(with ensemble) |
| 1996 - San Raphael CA |
Zaerr, Laura |
Harp Music of the 18th Century French Nobility |
|
Jackson, Roland |
Performance Practice and the Harp |
|
Bermudez, Egberto |
Juan Bermudo and the Harp; Organology and Performance Practice
in 16th Century Spain and
Europe
|
|
Houle, George |
Meter and Tempo in 17th Century Music |
|
Jackson, Roland (moderator) |
Panel on Performance Practice |
|
Heymann: Ann |
Gaelic Harper Denis O'Hampsey (1696-1807) |
|
Wheeler, John |
Scales, Modes, and Tunings in Biblical Chant |
| 1997 - Amherst MA |
Kadar, Judit |
A Contemporary Stage Presentation of the Roman du Fauvel |
|
Lawergren, Bo |
Angular Harps: Forerunner of the Modern Harp |
|
Bermudez, Egberto |
On the Identity of Ludovico |
|
Taylor, William |
Further Adventures in the Reconstruction of the "Cloyne"
("Dalway") Harp |
|
Fulton, Cheryl Ann |
The Works for "Arpa Doppia" of Giovanni M. Trabacci |
|
Knoke, Paul |
A History of the Pedal Harp |
|
Pollens, Stewart |
Resotration of a Cross-Strung Harp by Greenway |
|
Reinagel, Fred |
Tuning Systems: A Historical Overview
Panel Dicussion on Tuning (Reinagel, Fulton, Witcher, Kortier, Cook) |
|
Knight, Roderic |
The Arched Harp in India : Past and Present (video) |
| 1998 - Amherst MA |
Bermudez, Egberto |
History of the European Harp: Issues, Queries, and Conclusiions |
|
Bermudez, Egberto, moderator |
Bray Panel (Cook, Fulton, Kadar, Taylor) |
|
Hass, Arthur |
Mean Tone Tuning for Henry Purcell |
|
Campbell, William |
The Northern Italian Single-Row Harp |
|
Baxter, Becky |
Single
Row Harp: Practical Performance:
Solutions for Pinching/Fretting in Tune to Any Temperment |
|
Bermudez, Egberto |
The Harp, Violin, and Dance of the Tijeras (Scissors) Tradition in Peru |
|
Calderon, Claudia |
Venezuelan Harp Traditions: A General Survey |
|
Fulton, Cheryl Ann |
Bartolomeo Giovenardi's Comments on the Harp from |
|
|
"Tradado de la Musica"
(Madrid, 1634) |
|
Knoke, Paul |
Further Remarks on the History of the Pedal Harp;
Identifying Surviving
Harps |
| 1999 - Madison WI |
Bermudez, Egberto |
The 17th Century Claviharp |
|
Olsen, Dale |
Peruvian Harp |
|
Hoffmann, Joy Yu |
The Chinese Kong Hou |
|
Taylor, William |
New Research on the Robert Ap Huw Manuscript |
|
Yeats, Grainne |
Lost Chords; Identifying the Music of Irish Harpers |
|
Cook, Ron |
The 15th Century Harp and Lute Duet:
What Music did the Musicians Play? |
|
King, Andrew Lawrence |
Carolan's Harp |
|
Springfels, Mary/Minter, Drew |
Using Harp in Early Music Ensembles |
|
Stein, Louise |
Harps and Gender in Society |
|
Bermudez, E/Hardulfi, Allegra |
The Veracruz Harp Tradition (video) |
| 2000 - Storrs CT |
Galassi, Mara |
The Mozart Flute and Harp Concerto |
|
Whiteside, Constance |
Report on the Historical Harp
Survey |
|
Milligan, Samuel |
The Development of the Pedal Harp |
|
Knoke, Paul |
The Appropriate Harp
Panel on Early Pedal Harps (Gullo-Richmond, Fay, Milligan, Knoke)
|
|
Gullo-Richmond, Nan |
The Gullo Harp Music Collection at Sibley Music Library, Rochester |
|
Bermudez, Egberto |
The Pedal Harp in Latin America |
|
Lawergren, Bo |
Buddha the Harpist |
|
Kinnaird, Alison |
The Scots Ballad |
| 2001 - Cleveland OH |
Lawergren, Bo |
Cycladic Harps ca 2500-2000 BC: Did They Ever Exist? |
|
Cook, Ron |
Tristan's Harp: Were Marie's Lais Performed? |
|
Wentz, David & Paula |
A New Historical Harp Specimen; A Baroque Spanish Harp? |
|
Be, Kenneth |
Harps at the Cleveland Museum: Instruments and Icconography |
|
Dirie, Gerardo |
The Argentinian Harp Tradition |
|
Bermudez, Egberto |
The Latin American Harp Tradition: What is Local? |
|
Knight, Roderic |
West African Harps |
| 2002 - Storrs CT |
Charry, Eric |
West African Harps |
|
Bermudez, Egberto (moderator) |
Faculty Panel; Questions Answered (Cook, Kadar, Baxter,
Fulton) |
|
Hurrell, Nancy |
The Irish "Royal Portable Harp" by John Egan |
|
Cook, Ron |
Melodic Variations in Troubadour Manuscripts: Guide to Ornamentation? |
|
Bermudez, Egberto |
Africa and the Hispanic (Spanish/Portugese) Harp Tradition;
An
Exploration |
| 2003 - Storrs CT |
Sheehy, Daniel |
The Arpa Jarocha and the Arpa Grande: The Evolutionary Counterpoint
of Two Mexican Regional Musical
Traditions |
|
Kadar, Judit and
Starling, Steve |
About
the Trecento Harpo: A Preliminary Report on
the Howard Mayer Brown Trecento Musical Iconography
Collection
at the Newberry Library, Chicago
|
|
Bermudez, Egberto |
Twenty Years After: Issues and Certainties about the History of the Harp |
|
Taylor, William |
"Stop It:" Fingernail and Damping Techniques |
|
Bermudez, moderator |
20th Anniversary Panel:
(Kadar, Cook, Horst, Taylor, Fulton, Lewandowsky) |
|
Jurgensen, Frauke |
Musica Ficta, Ornamentation, Improvisation, Examining 15th Century
Performance-Practice Issues
in the Buxheim Organ Book
|
|
Baade, Colleen |
Harps and Harpists in Female Monasteries in Early Modern Castile |
|
Knoke, Paul |
The Crochet Action Pedal Harp |
|
Knoke/Richmond |
All You Want to Know about Phillip Joseph Hinner and MORE |
| 2004 - Madison WI |
Kadar, Judit |
The Quadruple Harp: Fact or Fantasy? |
|
Thym: Nancy |
The Boston Harp and Her Sisters |
|
Christa Patton |
Clarity or Confusion, Mistakes or Magic: The Ritornello in Orfeo |
|
Campbell, William |
Recreating the Egyptian Harp in the Metropolitan Museum of NY |
|
Yeats, Grainne |
Ancient Irish Harp Laments |
|
Viehrig, Tilo/Thym, Nancy |
Not All that Sparkles is Gold; Statuary Harps in German Churches |
|
Bermudez, Egberto |
Spain, Italy, and the Development of the Non-Pedal Harp |
|
Knoke, Paul |
The History of Pedal Harp Technique, 1750-1900 |
| 2005 - Bennington VT |
Cook, Ron (moderator) |
Tuning the Western European Historical Harp |
|
Fulton, Cheryl |
The Consorts of William Lawes (1602-45 |
|
David C. Nelson |
The Estampie - Dancing to Polyrhythm |
|
Knoke, Paul |
The Street Harpists of the Late Nineteenth and Early 20th Centyries |
|
Taylor, William |
Medieval Irisn and Scottish Music |
|
Cook, Ron |
Rethinking the Early Medieval Harp |
| 2006 - Madison WI |
Taylor, William |
Size Matters - The Use of Small Harps |
|
Patton, Christa & Herried, Grant |
Accompaniments from 17th Century Spain |
|
Kadar, Judit, chair |
Nomenclature Describing Harp Types |
|
Bermudez, Egberto |
American Renaissance & Baroque Musical Practices |
|
Cook, Ron |
The Morphology of Early Harps; Implications for Repertoire |
|
Schilke, Marlena |
Baltic Zithers |
|
Attar, Alison |
An Approach to Continuo Instruction for Novices |
2007 - New London, CT
|
Fulton, Cheryl Ann
|
Doctor Bartolomeo Giovenardi's Tratada de la Musica (Madrid, 1634) |
|
Cook, Ron
|
Revisiting the Dump
|
|
Kadar, Judit
|
Bordunes, Drons, and the Lowest of Harp Strings
|
|
Hurrell, Nancy
|
How to Survey a Harp
|
|
McJohn, Bill
|
The Mistuned Harp: A Closer Look at Scordatura
|